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As an owner of a small architecture rm, my duties are somewhat different from an architect who works for someone else s rm A small rm changes what is required of the architect Everything that goes on in our rm must be done by one of the three of us, so we each have to wear several hats The only exception to this statement is accounting, which is done by our bookkeeper I work on all the projects that come into the of ce Because we tend to specialize in acoustic design or accessibility, my work is usually involved in residential or commercial recording studios, home theaters, lm rooms, audio or video facilities, accessibility renovations, or new universal design (architectural design for people with differing physical needs) We work on projects that are altered or built new for wheelchair users (and other mobility devices), sight- or hearing-impaired users, and for people who are not able to use stairs or other physical barriers When we design, one of the three of us usually assumes more of a lead role depending on the project If the project is acoustical, I usually make rst contact with the client and begin the information-gathering process The client often comes to our of ce for the rst meeting and discusses all of his or her project wants and needs If the project is a new recording studio, we discuss how many rooms the client wants, the equipment the client uses, the acoustical parameters he or she wants us to follow, the look and feel of the building, the number and types of people that will use the building, and all of the other issues that will affect the design The next step usually involves a design session with just the three of us We sit down and begin to sketch the building s layout We think about sight lines (seeing from room to room), ergonomics, movement of people through the spaces, sizes for equipment, light, and the feel and sound of the rooms When we have one or more oor plan ideas for how the building might work, we meet again with the client We think about how the building works in three dimensions Do the rooms have high ceilings, are the ceilings at or sloped, what will the rooms feel like, and so on If the project were a house instead of a recording studio, we would think about how the house looks from the outside: its height, how is it massed, and how it sits on the site We have to research building codes and other legal requirements of the municipality and state When we have some ideas for the three-dimensional.

Construction of the weather satellite receiver is straightforward with virtually all of the parts mounted on a small PC board The board is double-sided but the top copper pattern is used mainly as a ground-plane This means that the board doesn t need to have platedthrough holes but there are quite a few component leads which do have to be soldered on both sides of the board There are also a number of pin-through or holethrough wires which have to be soldered to both sides of the PC board around U1 These connect the Earth patterns on both sides of the board and ensure that this high-gain chip operates in a stable manner The various input and output connectors are mounted along the rear edge of the circuit board, while the controls and indicator LEDs mount along the front edge The only component not actually mounted on the board is S1, the channel select toggle switch This mounts on the front panel, with its three connection lugs wired to PC board terminal pins directly underneath using very short lengths of insulated hookup wire Start the assembly by mounting these three terminal pins first, they are the only pins used in the receiver project Next, mount the four connectors CON1-CON4 along the rear edge, followed by the resistors Table 23-1 shows the resistor color codes but it s also a good idea to check each value using a digital multi-meter before

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Before beginning the project make sure that you have a clean well lit and well ventilated work space for constructing your satellite receiver Locate all the diagrams and place them in front of you on the table or work bench Locate a 27 to 30 watt pencil-tip soldering iron, along with some Tip Tinner, which is used to prepare and clean your soldering iron tip Locate a roll of 60/40 tin/lead rosin core solder as well as a few small hand tools such as a pair of small end-cutters, a needle-nose pliers, a pair of tweezers, and some small screwdrivers

Table 23-1

design of the building, we usually meet again with the client Somewhere in this step, we begin to put the design in computer-aided design (CAD) Except for the early sketching process, most of our work is done on the computer Our of ce only has one small drafting table, and we almost never use it We can design a project for a client, but we need to get the client In our rm, we are involved in the marketing process Marketing duties include going out to meet prospective clients, sending letters and e-mails, creating advertisements, writing magazine or newspaper articles, applying for awards, creating job sheets (individual handout sheets describing projects we have designed), responding to requests for information, and creating and managing our website Keeping a small architecture rm running requires ling, typing, copying, sorting, bookkeeping, hiring and ring, and managing a library of construction materials and information It requires keeping our computer system running properly Though some of these tasks could be done by outside people or services, we do them ourselves My day is usually from 9:00 am to 6:00 pm with an hour for lunch We usually have ten to twenty- ve jobs active at any given time In other of ces I have worked in, the hours and pace of the job can be different When I worked in New York City, for example, I sometimes worked more overtime than regular time: eighty to ninety hours a week

Color Band Black Brown Red Orange Yellow Green Blue Violet Gray White Gold Silver No color 1st Digit 0 1 2 3 4 5 6 7 8 9 2nd Digit 0 1 2 3 4 5 6 7 8 9 Multiplier 1 10 100 1,000 (K) 10,000 100,000 1,000,000 (M) 10,000,000 100,000,000 1,000,000,000 01 001 5% 10% 20% 1% 2% 3% 4% Tolerance