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Most auto insurance companies market through insurance agents who sell every type of coverage and usually aren t car buffs Someone in the insurance company head office will price out your policy by combining risk tables based on where you live with valuation tables showing what your car is worth and evaluating the coverage you want But the rare car needs more than commodity insurance This is where the insurance companies that advertise in Hemmings Motor News and other automotive publications enter the picture They insure the vehicles that are out of the mainstream and usually at considerable savings over conventional insurance companies based on limited car use and garage storage Regular insurers are not prepared for unusual vehicles, and generally they shy away from coverage Gerry Charvat of Leo, Indiana, and his wife, Sandy, are in the specialty car insurance business They came to it by way of their street rod business, which they started after they decided to leave corporate jobs to pursue other more personal and satisfying interests They turned their street rod hobby into a good business They grew into the insurance segment through one of their rod customers who was the senior vice president of an insurance company that wanted to pursue the hot rod or street rod market The company sent Sandy to school She studied for her Indiana insurance license and passed the state exam (Indiana also requires license holders to take fifteen hours of continuing education a year; states vary in their requirements) When she earned her license, she was put in charge of insuring classic and specialinterest cars When Sandy left that company, she and Gerry thought about their options We weren t set up to operate an agency, Gerry recalls, but we liked the insurance business and started looking

to pay attention to the values of the coils as well as which ones are adjustable and which are fixed before installing them on the PC board Note, on the schematic there are two points marked (A), one is at R6 and the other at C16, both of these points are connected together Note, there is a test point marked (TP1) at the OSC-1 module which can be used to ensure that the oscillator module is working correctly Power is brought to the circuit via the coaxial power input jack at J1 The antenna connection is shown at J2 This connector can be either a BNC or an F type chassis mounted connector The receiver circuit has two audio output jacks both at J3 and J4 Two circuits of mini 1 8 stereo jacks were used in the prototype Once the printed circuit has been assembled, you will need to recheck the solder joints to make sure they are smooth and that there are no cold solder joints Also observe the PC circuit lines to ensure that there are no bridges or shorts formed by cut component leads Once the circuit has been checked, you are ready to install the circuit board in the chassis A metal enclosure was chosen, since this is a sensitive RF receiver and you will want to keep outside interference from affecting the circuit operation, see Figure 22-2 You will have to wire the four jacks J1 through J4 to the circuit board We elected to mount the power and antenna jacks on the rear panel of the chassis box One audio jack was mounted on the front panel, while the second audio jack was mounted on the rear chassis panel The power switch S1 was wired to the PC and mounted on the front panel of the receiver along with the power indicating LED The tuning control R7 and volume control R15 were both mounted on the front panel of the chassis box Once you are satisfied that your circuit board is wired correctly You are ready to apply power to the circuit and begin testing the circuit for proper operation.

little projects for friends and family without having to worry about making money in the process When you work on your own, you have much more control over what you are doing and you can do it as well as you can As your practice grows, you can do more, but the downside is you must delegate responsibility to others and thereby lose control over what you loved doing in the rst place You cease being a designer and become a manager instead This is the classic existential dilemma

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